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Edited by Jondi Keane & Trish Glazebrook
Web design and Art Direction by Leslie Plumb
INTRODUCTION TO THE ISSUE: Here Where it Lives...Biocleave
by Jondi Keane and Trish Glazebrook
Artists and Writers included in this Issue (click to view)
Mapping Reversible Destiny
Trish Glazebrook and Sarah Conrad 22-40
Escaping the Museum
David Kolb 41-71
Ing
Jean-Jacques Lecercle 72-79
The Reversible Eschatology of Arakawa and Gins
Russell Hughes 80-102
Chaos, Autopoiesis and/or Leonardo da Vinci/Arakawa
Hideo Kawamoto 103–111
Daddy, Why do Things have Outlines?: Constructing the Architectural Body
Helene Frichot 112–124
Tentatively Constructing Images: The Dynamism of Piet Mondrian's Paintings
Troy Rhoades 125–153
Evidence: Architectural Body by Accident, Destiny Reversed by Design
Blair Solovy 154-168
Breathing the Walls
James Cunningham 169–188
Technology and the Body Public
Stephen Read 189-213
Bioscleave: Shaping our Biological Niches
Stanley Shostak 214-224
Arakawa and Gins: The Organism-Person-Environment Process
Eugene Gendlin 225-236
An Arakawa and Gins Experimental Teaching Space – A Feasibility Study
Jondi Keane 237–252
TANGENTS:
Approximately Arakawa and Gins
Ken Wark 448-449
A Perspective of the Universe
Erin Manning and Brian Massumi
450-458
Axial Lecture on Self-Orientation
George Quasha
Demonstrator
Bob Bowen
Levitation
Bob Bowen
KEYNOTES AND CONFERENCE STREAMS:
The Mechanism of Meaning: A Pedagogical Skecthbook
Gordon Bearn 253–269
Wayfinding through Landing Sites and Architectural Bodies: Exploring the Roles of Trajectoriness, Affectivatoriness, and Imaging Along
Reuben Baron 270-285
Trajectory of ARAKAWA Shusaku: from Kan-Oké (Coffin) to the Reversible Destiny Lofts
Fumi Tsukahara 286-297
A Snailspace
Tom Conley 298–316
Made/line Gins or Arakawa in
Trans-e-lation
Marie Dominique Garnier 317–339
The Dance of Attention
Erin Manning 340–367
What Counts as Language in a Closely Argued Built-Discourse?
Gregg Lambert 368-380
Constructing Poiesis: Storyboards for an immersive diagramming
Alan Prohm 381–415
Open Wide, Come Inside: Laughter, Composure and Architectural Play
Pia Ednie-Brown416–427
TRIBUTES:
Open Letters
Madeline Gins i-viii
What Arakawa Did
Don Byrd 428–441
Arakawa
Don Ihde 442-445
For Arakawa, Nine More Lives
Jean-Michel Rabaté 446–448
